While catering to the beginner, this book goes deep enough that all but the most long-term user of these two pieces of software will find something to learn in this volume. I once again find myself recommending a 'Missing Manual' to everyone. I've had a look at all three and like the balance of depth and explanation that Pogue has in his 'Missing Manual' series. Some people might prefer the style of the 'Dummies' books, others the style of Peachpit's Visual Quickstart Guide. #Buying idvd free#One of the benefits of free software is that we can choose which 'documentation' to buy. One of the drawbacks of getting free software is that we don't get good free documentation. Neither has a sample chapter or the table of contents, you can't even get either at Amazon. O'Reilly have the usual marketing stuff while Pogue Press have the handy little Missing CD section with links to all the free and shareware software mentioned in the book. I learned a great deal about putting together all sorts of iDVD projects, including ways of customizing almost every aspect of the finished product. The attention to the finished product in the second section carries through to the fourth section on iDVD, though the writing here is not quite as good. #Buying idvd how to#The section first spends ten pages telling us how to get our edited film back onto the camcorder or onto a VCR, then it spends a lot of time dealing with exporting to QuickTime, including posting movies to the web and some info on using the QuickTime player, including some "tricks" with QuickTime Player Pro. It really has nothing to do with finding an audience and a lot more to do with QuickTime. The third section, titled "Finding Your Audience," is a bit more of a problem. It follows a logical sequence through the movie-making process, giving good details on how iMovie does the job, how to get the best result and what sort of things to avoid - particularly useful for things like transitions and effects when less is best. I also appreciated the way it spent as much time on improving the quality of the finished film as it did telling me how to use the various parts of the software. The second section does a good job of explaining the details of iMovie 3, even down to some of its shortcomings and bugs. When it goes on to the 'how to shoot' section, you get pretty much the same advice you'll get anywhere, but since we didn't really read all of from the last book on video we read (and forgot half the bits we did read) it's nice to have it there again. The technical information on cameras is perfect if you have yet to buy a camera, including a guide to which features are essential and which unnecessary as you can do the same thing (only better) in iMovie 3. The first section gives a great deal of incredibly useful information about video cameras and how to use them, including hints on various types of shooting such as sporting events, interviews and weddings. The latter is often needed and always useful - iMovie 3 still has more than one bug. At the end are two useful appendices: the first is a menu-by-menu look at iMovie 3, and the second is an iMovie 3 troubleshooting guide. The book is broken up into four sections, one devoted to video cameras and shooting a movie, a large one on editing in iMovie 3, and smaller sections on exporting out of iMovie 3 and on using iDVD. Once again I truly appreciated this book and its style. #Buying idvd manual#iMovie 3 & iDVD: The Missing Manual finds me in an area where I am technically inferior. I have previously reviewed iPhoto2: The Missing Manual and said "The target audience for this book would probably be a little less technical than myself or the average Slashdot reader, however when I find myself in a field I don't understand well I don't mind a little stuff for the absolute newbie" - and once again this is true. Once again a 'Missing Manual' has come to my help." Read on for honestpuck's review of David Pogue's iMovie 3 & iDVD: The Missing Manual.Ī quality introduction to two closely tied products. Honestpuck writes "As digital video cameras spawn in the hands of you, me, parents and tourists like cockroaches in my kitchen we find ourselves needing the kind of technical and aesthetic help not really seen since the advent of 'desktop publishing'.
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